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《忆秦娥·与君别》原文翻译及赏析_作者房舜卿与君别相思一夜梅花发梅花发凄凉南浦断桥斜月盈盈微步凌波袜东风笑倚天涯阔天涯阔一声羌管暮云愁绝这是一首怅别词诗人写的不是离别时的凄恻也不是别君的思念而是刚刚作别乍然离去时的旅途情怀诗人并不正面写这种渐行渐远渐浓的离愁也不突出他对那位盈盈微步的佳人的眷恋而是把一夜间怒放的梅花推在前景地位进行反复咏叹这样诗人行旅中的那种难言的惆怅反而更加在丰富充分地表现出来这便是超越咏叹实体把描写对象半空灵化象征化了的艺术魅力之所在
《蓦山溪·鸳鸯翡翠》原文翻译及赏析_作者黄庭坚鸳鸯翡翠小小思珍偶眉黛敛秋波尽湖南山明水秀娉娉袅袅恰近十三余春未透花枝瘦正是愁时候寻花载酒肯落谁人后只恐远归来绿成阴青梅如豆心期得处每自不由人长亭柳君知否千里犹回首
《野田黄雀行（高树多悲风）》原文翻译及赏析_作者曹植高树多悲风海水扬其波利剑不在掌结友何须多不见篱间雀见鹞自投罗罗家得雀喜少年见雀悲拔剑捎罗网黄雀得飞飞飞飞摩苍天来下谢少年


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