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《浣溪沙·淡荡春光寒食天》原文翻译及赏析_作者李清照淡荡春光寒食天玉炉沉水袅残烟梦回山枕隐花钿海燕未来人斗草江梅已过柳生绵黄昏疏雨湿秋千
《别舍弟宗一》原文翻译及赏析_作者柳宗元零落残魂倍黯然双垂别泪越江边一身去国六千里万死投荒十二年桂岭瘴来云似墨洞庭春尽水如天欲知此后相思梦长在荆门郢树烟
《武陵春·桃李风前多妩媚》原文翻译及赏析_作者辛弃疾桃李风前多妩媚杨柳更温柔唤取笙歌烂熳游且莫管闲愁好趁春晴连夜赏雨便一春休草草杯盘不要收才晓便扶头这首词是写春游的它以抒情的笔调明快的语言描写了春光明媚以及作者及时行乐的思想情趣轻松活泼饶有趣味开头二句写春光明媚怡人在这里作者取了桃李和杨柳加以描写桃李临风起舞妩媚动人杨柳的长条袅娜于春风之中故作者说杨柳更温柔句中妩媚温柔带有极强的感情色彩也表现了作者对明媚春光的热爱如果说以上两句侧重春字而接下去四句侧写游字其中前两句是把歌儿舞女换来尽情游赏且莫管闲愁全身心投入到游乐活动中去而后两句则说趁着天气晴好连夜赏花表达了作者惜春爱花之意前四句词使用烂熳游与管闲愁等词语集中而突出地把作者游兴之高描叙了出来结尾二句写醉酒言其杯盘草草尚未收起又准备来日侵晓再饮扶头酒以便长醉不长醒暗示其有借酒消愁之意和上片且莫管闲愁相照应说明作者看似玩得潇洒其实并未忘世内心仍然很凄苦和一般人不同的是能够及时行乐借以超越苦痛而已


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